With a Prores Converter, you can either generate Apple Prores codec from various online downloaded digital file formats and also camera/camcorder recorded footage for high quality and high performance editing with iMovie<, Final Cut Express, Final Cut Pro X<, Davinci Resolve. Better rendering for native editing: Can be used to render long-GOP MPEG-2 formats (such as HDV and XDCAM HD) to speed up editing and avoid MPEG-2 reencoding artifacts before output. Workflow options for any video format that does not have native Final Cut Pro support Edit more streams with more real-time effects on slower drives, or have more users accessing the same media over shared storage devices. Delivers high-quality, real-time playback and faster rendering times Ensures consistent quality in every frame, with no artifacts from complex motion, and speeds up editing. Preserves subtle gradients of 10-bit sources (sunsets, graphics, and the like) with no visible banding artifacts Be encoded at any frame size- SD, HD, 2K, 4K, or other Provides real-time editing performance comparable to or better than that of any other HD codecs in Final Cut Pro Maintains superb quality even after multiple encoding/decoding generations It can be used for film, digital cinema, high definition (HD), and standard definition (SD) workflows.Īdvantages of Apple Prores format as an editing codec The Apple ProRes is a post-production format designed for pristine quality, economical hardware configurations, and high-performance, multistream Final Cut Pro real-time editing.

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